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Cloudy With A Chance Of Meatballs [DVD] by Phil Lord
Formato: DVD
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Detalles del producto
- ASIN : B01F468WDQ
- Opiniones de los clientes:
Opiniones de clientes
4,6 de 5 estrellas
4,6 de 5
2.608 valoraciones globales
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Principales reseñas de España
Ha surgido un problema al filtrar las opiniones justo en este momento. Vuelva a intentarlo en otro momento.
Revisado en España 🇪🇸 el 9 de octubre de 2021
Nos encantó la peli,mis hijos ya están deseando ver la 2 parte
Revisado en España 🇪🇸 el 30 de mayo de 2021
Muy divertida para los niños ;)
Revisado en España 🇪🇸 el 13 de junio de 2021
Me gusta la película, mi hijo nunca la había visto y le ha gustado un montón.
Revisado en España 🇪🇸 el 31 de enero de 2021
Mi hijo llevaba tiempo pidiéndome estos dibujos y vi la oportunidad de comprarlo en Amazon video, son unos dibujos estupendos, divertidos graciosos, didácticos y muy educativos.
Revisado en España 🇪🇸 el 2 de diciembre de 2021
No debería de tener que pagarse por una película antigua, la segunda es gratis.
Revisado en España 🇪🇸 el 25 de diciembre de 2020
A los niños les ha gustado mucho.
Revisado en España 🇪🇸 el 16 de noviembre de 2020
A los niños les ha encantado...
Revisado en España 🇪🇸 el 20 de junio de 2020
Bueno
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The Movie Diorama
4,0 de 5 estrellas
Cloudy With A Chance Of Meatballs deliciously makes for a three-course animated meal.
Revisado en el Reino Unido 🇬🇧 el 26 de junio de 2020
Cloudy With A Chance Of Meatballs deliciously makes for a three-course animated meal. Sitting. Thinking. Noting. Researching. Motivating. Reviewing! Lettuce take the thyme to digest the cheesy grate-ness that sub-lime-ly makes time fries at an up-beet pace. Tackling two relation-chip dynamics with clumsy scientist Flint Lockwood, an un-raisin-able son wanting to become an inventor and his less than grilled father who wants him to relish in assisting at the family tackle shop, with the other being two friendly loafers whom share the same loaf for celery-brating all things science. Leaving plenty of mushroom for Flint’s latest invention, a diatonic super mutating dynamic food replicator, going bananas and dipping the townsfolk of Swallow Falls in a weathering pickle. “You have seen a meteor shower, but you have never seen a shower meatier than this”, meteorologist Sam Sparks, and main love interest, reports as juicy hamburgers descend from the sky. Flint must savour the world before it’s caked with viscous syrup. Bon appetite! Orange you glad corny food puns were used to desc-rye-be the feature’s plot? It was hard wok!
Anyway, Lord and Miller’s directorial debut, an adaptation of Barrett’s children’s book, is a colourfully inventive animation that balances its diet of fast-paced action, witty sight humour and heartfelt familial reconciliation. The screenplay on offer showcases the energetic buoyancy that cements Lord and Miller’s talent as capable screenwriters. Not all the jokes land with grace. For example the constant inclusion of “Baby” Brent, the town’s former mascot for sardines, was nothing more than dim-witted slapstick humour. Conversely, the characterisations and mannerisms of Lockwood, his sugar-addicted pet monkey Steve, Sparks, athletic officer Earl and the greedy mayor, all host a wide array of memorability to them. Whether it be participating in an ice cream snowball fight, literally obliterating all of the neighbours on a rampage, or Flint frustratingly trying to navigate his technophobic dad around a desktop to send a simple email with an attachment.
The vast majority of scenes, whilst moderately zestful as children slowly develop diabetes as they constantly digest jelly beans and chocolate cake, impact towards the central character development of Flint and the fractured relationship with his father. As unsuccessful as Flint’s inventions are, he believes he owes it to his deceased mother to pursue his lifelong ambition, forever determined to become the best of the best. His fisherman father, concerned about change and the welfare of his son, never expresses his belief. Therefore, there’s a communicative breakdown that is only emphasised by Earl’s eternal love for his son Cal. Putting aside the gigantic steaks and mustard-covered hot dogs falling from the suspiciously ominous clouds above, this story is about familial appreciation. No matter the end result. Lord and Miller consistently revert to this central theme through several scenes of sincerity. The barrage of fishing puns to accentuate that malfunction in communication between them. Transforming a relatively inevitable conclusion into a transcendental explosion of love.
Spaghetti tornados launching meatballs and a colossal avalanche of leftovers could not replace that poignant sentiment. Naturally, the food meteorology acts as an exercise in creative animation, granting the feature a personality of its own. Its style incredibly digestible, yet pleasantly tasty to glance at. Whilst the character models were somewhat simplistic in comparison, the animation remained vividly colourful and fluid throughout, with plenty of attentive detail for the backdrops. Food is constantly raining down, subconsciously forcing viewers to examine the entire frame to see what tasty item has descended onto the town.
Voice acting was appetising, with Hader and Faris commanding the cast through precise dialogue execution. Faris especially, digesting a burger and exclaiming “I love it”, challenging such method actors including Bale and Day-Lewis. In all seriousness, she was succulent. Mr. T shouting “Flint Lockwood” never fails to conjure smiles, as does Bratt’s Guatemalan committed line “he is in...a food coma”. Samberg was the rotten egg of the bunch, shouting the vast majority of his dialogue with no expression or range.
The anchoring father relationship powers the narrative, unfortunately Flint’s love interest with Sam, more often than not, overwhelms the former bond with forced development that diminishes the fragility with his father. The jelly castle distraction being an acute example of this. Removing the adoration between them would’ve centralised Lord and Miller’s direction with Flint’s father, creating a banquet rather than a main course.
Still, Cloudy With A Chance Of Meatballs digests its source material and spits out an inventive animation boasting with aesthetic originality and developed characters that will have you screaming for more ice cream. The chest hairs weren’t always tingling, but the sumptuous aftertaste was worth it, leaving you hungry for more.
Anyway, Lord and Miller’s directorial debut, an adaptation of Barrett’s children’s book, is a colourfully inventive animation that balances its diet of fast-paced action, witty sight humour and heartfelt familial reconciliation. The screenplay on offer showcases the energetic buoyancy that cements Lord and Miller’s talent as capable screenwriters. Not all the jokes land with grace. For example the constant inclusion of “Baby” Brent, the town’s former mascot for sardines, was nothing more than dim-witted slapstick humour. Conversely, the characterisations and mannerisms of Lockwood, his sugar-addicted pet monkey Steve, Sparks, athletic officer Earl and the greedy mayor, all host a wide array of memorability to them. Whether it be participating in an ice cream snowball fight, literally obliterating all of the neighbours on a rampage, or Flint frustratingly trying to navigate his technophobic dad around a desktop to send a simple email with an attachment.
The vast majority of scenes, whilst moderately zestful as children slowly develop diabetes as they constantly digest jelly beans and chocolate cake, impact towards the central character development of Flint and the fractured relationship with his father. As unsuccessful as Flint’s inventions are, he believes he owes it to his deceased mother to pursue his lifelong ambition, forever determined to become the best of the best. His fisherman father, concerned about change and the welfare of his son, never expresses his belief. Therefore, there’s a communicative breakdown that is only emphasised by Earl’s eternal love for his son Cal. Putting aside the gigantic steaks and mustard-covered hot dogs falling from the suspiciously ominous clouds above, this story is about familial appreciation. No matter the end result. Lord and Miller consistently revert to this central theme through several scenes of sincerity. The barrage of fishing puns to accentuate that malfunction in communication between them. Transforming a relatively inevitable conclusion into a transcendental explosion of love.
Spaghetti tornados launching meatballs and a colossal avalanche of leftovers could not replace that poignant sentiment. Naturally, the food meteorology acts as an exercise in creative animation, granting the feature a personality of its own. Its style incredibly digestible, yet pleasantly tasty to glance at. Whilst the character models were somewhat simplistic in comparison, the animation remained vividly colourful and fluid throughout, with plenty of attentive detail for the backdrops. Food is constantly raining down, subconsciously forcing viewers to examine the entire frame to see what tasty item has descended onto the town.
Voice acting was appetising, with Hader and Faris commanding the cast through precise dialogue execution. Faris especially, digesting a burger and exclaiming “I love it”, challenging such method actors including Bale and Day-Lewis. In all seriousness, she was succulent. Mr. T shouting “Flint Lockwood” never fails to conjure smiles, as does Bratt’s Guatemalan committed line “he is in...a food coma”. Samberg was the rotten egg of the bunch, shouting the vast majority of his dialogue with no expression or range.
The anchoring father relationship powers the narrative, unfortunately Flint’s love interest with Sam, more often than not, overwhelms the former bond with forced development that diminishes the fragility with his father. The jelly castle distraction being an acute example of this. Removing the adoration between them would’ve centralised Lord and Miller’s direction with Flint’s father, creating a banquet rather than a main course.
Still, Cloudy With A Chance Of Meatballs digests its source material and spits out an inventive animation boasting with aesthetic originality and developed characters that will have you screaming for more ice cream. The chest hairs weren’t always tingling, but the sumptuous aftertaste was worth it, leaving you hungry for more.

south walian
5,0 de 5 estrellas
gift
Revisado en el Reino Unido 🇬🇧 el 13 de marzo de 2014
Cloudy with a Chance of Meatballs is a 2009 American Computer animated science fiction comedy film produced by Sony Pictures Animation, distributed by Columbia Pictures, and released on September 18, 2009. The film is loosely based on the children's book of the same name by Judi and Ron Barrett.
The film features the voices of Bill Hader, Anna Faris, Bruce Campbell, James Caan, Bobb'e J. Thompson, Andy Samberg, Mr. T, Benjamin Bratt, Neil Patrick Harris, Al Roker, Lauren Graham, and Will Forte. It was written and directed by Phil Lord and Chris Miller, who are best known for the animated TV series Clone High, which also featured Forte
The film features the voices of Bill Hader, Anna Faris, Bruce Campbell, James Caan, Bobb'e J. Thompson, Andy Samberg, Mr. T, Benjamin Bratt, Neil Patrick Harris, Al Roker, Lauren Graham, and Will Forte. It was written and directed by Phil Lord and Chris Miller, who are best known for the animated TV series Clone High, which also featured Forte

wood pigeon
3,0 de 5 estrellas
Ok
Revisado en el Reino Unido 🇬🇧 el 12 de julio de 2014
I bought this on the strength of some people mentioning that this was a great film. I am not that keen on it to be honest. The storyline is ok, and the characters are ok, but that's all I found this film to be - just an ok film. Nothing to really write home about. It couldn't grab my attention for more than a minute. I found I kept getting up to do stuff. If you're undecided about this film, then in my opinion; give it a pass, go buy Frankenweenie instead.

Matt
4,0 de 5 estrellas
Good family fun
Revisado en el Reino Unido 🇬🇧 el 21 de octubre de 2014
This is a good solid childrens animated film. The central idea is silly enough to appeal to kids and give a strong visual element to the film, this means that it can be imaginative and plenty of fun.
There are enough jokes and visual laughs to keep everyone engaged, and i admit that i found myself liking the film more than i thought i was going to.
This is definately a film i would recommend for Sunday afternoon family viewing.
There are enough jokes and visual laughs to keep everyone engaged, and i admit that i found myself liking the film more than i thought i was going to.
This is definately a film i would recommend for Sunday afternoon family viewing.

E P Sheard
4,0 de 5 estrellas
Good 3d
Revisado en el Reino Unido 🇬🇧 el 17 de marzo de 2013
This film is bonkers but is really enjoyable. This is the first 3d bluray I owned yet it is actually very impressive for its 3d effects. There are a lot of scenes which really show depth and as with all animated films there is lots of colour.
There are a number of great characters in this film. My favourite being the pet monkey which is just brilliant. I would recommend this film to anyone looking for some 3d fun. They are bring out a second film too so I must not be alone in thinking that this is one of the better 3d animated films.
There are a number of great characters in this film. My favourite being the pet monkey which is just brilliant. I would recommend this film to anyone looking for some 3d fun. They are bring out a second film too so I must not be alone in thinking that this is one of the better 3d animated films.