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Dollhouse (1?? Temporada) (Import Movie) (European Format - Zone 2) (2010) Tahmoh Penikett; Eliza Dushku; Ha

Formato: DVD

571 valoraciones

Otras opciones en DVD

Edición

Discos

Precio Amazon

Nuevo desde

Usado desde

DVD

"Vuelva a intentarlo"

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16,95 €

14,50 €

5,79 €

DVD
31 marzo 2010

"Vuelva a intentarlo"

Edición estándar

20,00 €

46,95 €

20,00 €

DVD

"Vuelva a intentarlo"

—

16,49 €

—

11,95 €

DVD

"Vuelva a intentarlo"

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55,33 €

Detalles del producto

ASIN ‏ : ‎ B01GWEFQVU

Opiniones de los clientes:
571 valoraciones

Opiniones de clientes

4,6 de 5

571 valoraciones globales

5 estrellas		75%
4 estrellas		15%
3 estrellas		4%
2 estrellas		2%
1 estrella		4%

Cómo funcionan las opiniones y las valoraciones de los clientes

Principal reseña de España

Ha surgido un problema al filtrar las opiniones justo en este momento. Vuelva a intentarlo en otro momento.

Cliente Amazon

Compra de muy buena calidad

Revisado en España 🇪🇸 el 3 de noviembre de 2016

Compra verificada

Muy buena calidad de imagen y sonido, aunque en la región española no va en los reproductores de dvd normales, hay que tener uno de la región de Reino Unido y no está en castellano (por si a alguien le es relevante, porque para mi no era un requisito, ya que lo prefiero en original).
En conclusión, muy buena compra, sobre todo si quieres tener esta joyita de la televisión en tu casa.
Saludos

Útil

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Richard

Shows promise, but ultimately it is Dullhouse.

Revisado en el Reino Unido 🇬🇧 el 25 de octubre de 2016

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It's been a long while since we watched Dollhouse (both seasons) and it has now settled in my mind as to what it actually was!

Like most series, it starts a little rickety as it establishes itself and the characters, the problem being that one of the main characters (played by Eliza Dushku) doesn't really have an established character at all since she plays a "doll" - a person who wants to escape their past by signing a contract with a shadowy corporation and having a new identity programmed in on a regular basis to satisfy "clients" who generally seem to want these dolls for seedy purposes at best. While it becomes obvious that a residual character remains after each mind-wipe, this doesn't really change much about the overall plot conceit in the short span that the series was eventually fated to play out (2 seasons) and there was a sense of it being firmly episodic sci-fi like the old Star Trek series, where the same people move between scenarios and conundrums and their characters seldom seem to change as a result of their experiences. So this felt like a bit of a regression in that regard, when the rest of the Sci-fi universe was moving on. Even so, the series eventually hits some sort of a stride, but becomes a victim of its own desire for complexity and mystery. Although "all is explained" by the close of season two, the first season pretty much rambles to a close with a sense of Whedon trying to give it some form before it gets cancelled - which to his credit he manages and gets a second season.

In itself, season 1 is watchable but disposable - it entertains for the desired timespan and is then done - leaving us to hope for more structure and diirection in season 2. This arrives, but I guess because the series was under close scrutiny and under threat of cancellation, the structure is basically the tired old theme of faceless corporations pulling the strings and another brilliant-minded character (Alan Tudyk - who was "Wash" in Firefly) intervening to do his own exposé in his own way. It was what Chris Carter did to damage the X-Files and Millennium, it has been done to death and really needed to be reinvented in some subversive way. I really thought Whedon would be the guy to pull this off, and I really hoped he'd pull through, but the second season was far weaker even than the first in its hurriedness and its sense of being written on the fly, with ideas being put out there that were not fully realised and which needed to be walked back in subsequent episodes.

As this is a review of season one, this is relevant because, if you are hoping that it is the beginning of a satisfactory story/plot arc, you'll be disappointed and may as well devote yourself to a series that failed less dismally (I'd recommend Firefly, personally, since its potential for a far broader expansion of its universe was far greater, and it ended as it began, with a great cast who far more convincingly entered their roles and played them to the end).

Untimately the fates of Dollhouse and Firefly were determined by backers without the courage to create something that might fill a niche, but would be remembered well in the final outcome. As such they both came out half-baked when they could have been so much more. Maybe Whedon should work with European backers next time? :)

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Trashy novel reader

OK but nothing special

Revisado en el Reino Unido 🇬🇧 el 22 de noviembre de 2014

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I recently saw "Terminator: Sarah Connor Chronicles" and loved it. I discovered that Joss Whedon had also made Dollhouse, read great reviews of it, and bought season one with enthusiasm.
I felt it has some good points:
- it was a novel and intriguing idea;
- the writers came up with some interesting variations on the general theme; and
- the lead actress (Echo) acted well, as did the other "dolls". Echo's mentor and the cop were also pretty good.
Negative points:
- I kept feeling that they had badly miscast some of the other key characters, such as the computer guy and the boss lady. Either that or their acting was poor - they just did not seem to gel (by contrast, I'd thought that the casting of TSCC was perfect);
- the show sometimes felt like it was intended to appeal to an audience of six year olds (eg most of the jokey "genius" dialogue involving computer guy, which just made me cringe); and
- the first few episodes seemed to be back to 1970s TV, with a simple "action story of the week" (think: The Six Million Dollar Man etc).
We're pleased to have made it to the end of the season one, and don't feel the need to watch season two. We thought it was ok, and it killed a few hours, but didn't find it to be anything special.
PS: I bought Firefly at the same time as Dollhouse, for the same reasons. After experiencing four discs of Dollhouse, I'm no longer looking forward to watching it. But that will probably be another review, in due course.

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Mr. D. L. Rees

WAY OUT

Revisado en el Reino Unido 🇬🇧 el 10 de julio de 2010

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Fantasy fulfilment involving state of the art technology begins to unravel - "Jurassic Park", "Westworld" style....

Dollhouse is a highly illegal organization that plucks its "artistes" (dolls) from the outside world, drains them of all memories and subjects them to reprogramming to satisfy the needs of the ultra rich. Now everything is being threatened. Some of the programmed new identities begin to malfunction. A traitor within is seriously undermining. One doll, Alpha, his brain dangerously overloaded, has escaped and is intent on sabotage. Meanwhile investigative Federal Agent Paul Ballard grows ever closer.

Challenging viewing. Joss Whedon's name is the main incentive to watch - addicts of "Buffy", "Angel" and "Firefly" keen to sample more of his inventiveness and, at times, startling changes of direction. Some, though, may find this new venture heavy going, wishing for certain aspects to be be simplified (e.g. clarification from the start why Ballard is so obsessed with tracking down Caroline). Too much is revealed rather belatedly in dribs and drabs, causing much confusion about what is going on.

As Echo (Caroline) Eliza Dushku impresses in a variety of guises, perhaps never more so than in episode five - she, convincingly blind, infiltrating a religious sect headed by a man urgently sought by the police. Acting throughout is generally strong, it pleasing to see again Alan Tudyk (ex-"Firefly" and "A Knight's Tale"). The fight sequences certainly pack a punch.

Commentaries help, especially with the last episode, where ten years have suddenly passed. Bonuses clear up several matters that puzzled - further proof DVDs are by far the best way to watch.

Good, even gripping, in parts but the whole does not fully satisfy. I wanted to like it far more than I did. Perhaps another viewing will help me all the better to appreciate its worth?

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Ticked Off

Intelligent TV

Revisado en el Reino Unido 🇬🇧 el 10 de junio de 2009

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When I first heard the premise for this show I was dubious. How could you root for and emphasise with characters who were different each week and who were 'blank slates' in between?

I'm glad to say I was wrong to doubt. I've only seen four episodes so far, but I'm hooked and glued to the TV each week. I agree with the reviewer who mentioned the annoying 'soft porn' aspect, but I'm willing to ignore that as the rest of the show intrigues me so much and I'm hoping JW grows up and gets over it as the show goes on.

I'm glad to hear that some humour is injected in later episodes - although I have to say that so far I haven't actually missed it much, which is unusual for me. Usually humour is a must for any show I like.

I can't wait till September until I can get the whole deal on Blu-Ray and I'll be eagerly watching for S2.

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Tufty

A slow burner...

Revisado en el Reino Unido 🇬🇧 el 20 de marzo de 2012

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This is a series you need to stick with - those moments of Whedon genius start to show through about a third of the way in and continue to shine more brightly as you go along.

With a touching and excting journey into the heart of the dollhouse, it's easy to look past the duller moments and wait to see where we're going next.

True to form, Whedon makes you care about the people who may or may not exist in their own right... and we all know that's dangerous, right? Well, hang in there and enjoy the numerous fabulous personalities that Echo and co bring to life while waiting for the story to kick in!

The series is definitely a slower precursor to series two, and finishes up with promises of more excitement to come.

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