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The Emerald Rebels: The Rise, Fall and Redemption of Philip Lynott and Thin Lizzy Tapa blanda – 19 mayo 2018
Precio Amazon | Nuevo desde | Usado desde |
Versión Kindle
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Tapa blanda
"Vuelva a intentarlo" | 18,84 € | 18,84 € | — |
- Versión Kindle
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Opciones de compra y complementos
- Longitud de impresión276 páginas
- IdiomaInglés
- Fecha de publicación19 mayo 2018
- Dimensiones15.24 x 1.78 x 22.86 cm
- ISBN-101982943130
- ISBN-13978-1982943134
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Detalles del producto
- Editorial : Independently published (19 mayo 2018)
- Idioma : Inglés
- Tapa blanda : 276 páginas
- ISBN-10 : 1982943130
- ISBN-13 : 978-1982943134
- Peso del producto : 481 g
- Dimensiones : 15.24 x 1.78 x 22.86 cm
- Clasificación en los más vendidos de Amazon: nº84,983 en Biografías y autobiografías (Libros)
- nº596,976 en Libros en inglés
- nº865,759 en Libros en idiomas extranjeros
- Opiniones de los clientes:
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Opiniones de clientes
5 estrellas |
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56% |
4 estrellas |
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22% |
3 estrellas 0% (0%) |
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2 estrellas |
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6% |
1 estrella |
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16% |
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Revisado en el Reino Unido 🇬🇧 el 10 de marzo de 2019



The author is a fan who clearly wrote the book from home with available information he found on the internet and other books on the band. There’s no original interviews, feet on the ground, or real time observations. These factors will make some people not enjoy the book. However, I’m always more interested in reading about the music than another story of sordid details and dirt and focusing on the songs, which is what the author tries to do, but obviously you can’t write a book about Thin Lizzy without discussing the substance abuse and how that affected the music. The book is structured to walk us through each album in chronological order, which I really liked. The author provides us his take on each song, focusing a lot on Phil’s excellent lyrics, and whatever little backstory he can find behind the song. The author is well versed in the Thin Lizzy catalog, and for the most part I agreed and enjoyed his critiques, although at times he’s unusually harsh on some good riff rockin’ songs, and too forgiving on others. He seems to always favor the tunes that invoke the trademark duel leads, which I never felt was the primary indicator of a great Lizzy tune. He also favors some songs with compelling lyrics, but in my opinion don’t rock or swing. That said, the author had me go back and discover some tunes that I previously had overlooked, and I always enjoy comparing my taste to that of another informed fan.
I wish the author knew a little bit more about actual music and researched more in that regard. For example, “The Boys Are Back InTown” has some terrific jazz chords in the verses. I’d like to know how a bass player wrote so many riff and harmonically complex songs and got sole writing credit? Clearly Phil had to be a pretty good guitarist too, but there’s never really any discussion around how Philip wrote such great music and riffs. On another point of criticism, even though Thin Lizzy were huge in the U.K., with plenty of hits, the overall tone seems to be one of “failure.” Now the Thin Lizzy ending, and then the death of Philip Lynott, was tragic, but like so many Rock bios, it reads like one big struggle, a moment of success, and then a long downward slide. There’s this rolling bummer feel throughout, when in fact, the Thin Lizzy catalog is a thrill ride. Why can’t more Rock bios thrill like the music? That they weren’t having huge hits in the U.S. seems to always override that the same album was a smash in the U.K. Clearly Lizzy wanted U.S. hits, but there’s this undercurrent in the book that not achieving world domination was the primary driver in everything falling apart personally and professionally. I just don’t think from late 1976 on, that the Lizzy camp was bummed out.
All this said, I’m giving it 4* (really 3.5*) because if you’re a Thin Lizzy fan, you’ll care more about the songs, and enjoy reading about them. The author clearly cares about these songs and enjoyed writing about them.