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Vendido por: MEDIA PRO
Vendido por: MEDIA PRO
(51 calificaciones)
83 % positivas en los últimos 12 meses
83 % positivas en los últimos 12 meses
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Zero Dark Thirty [Francia] [DVD]
Jessica Chastain
(Actor),
Jason Clarke
(Actor),
Kathryn Bigelow
(Director)
&
0
más Clasificado: Calificación por edades desconocida Formato: DVD
12,11€12,11€
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Otras opciones en DVD | Edición | Discos | Precio Amazon | Nuevo desde | Usado desde |
DVD
5 noviembre 2013 "Vuelva a intentarlo" | — | — | 9,87 € | — |
DVD
29 mayo 2013 "Vuelva a intentarlo" | — | 1 | 15,00 € | 4,50 € |
Género | Thriller |
Formato | Importación, Color, Pantalla ancha, Pantalla completa |
Colaborador | Joel Edgerton, Jason Clarke, Jessica Chastain, Jennifer Ehle, Kathryn Bigelow, Édgar Ramírez, Mark Strong Ver más |
Idioma | Inglés, Francés, Italiano |
Duración | 2 horas y 31 minutos |
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Descripción del producto
Zero Dark Thirty, 1 DVD, 151 minutes
Detalles del producto
- Relación de aspecto : 1.85:1
- Descatalogado por el fabricante : No
- Clasificado : Calificación por edades desconocida
- Dimensiones del paquete : 19.2 x 13.6 x 1.6 cm; 70 gramos
- Referencia del fabricante : 5050582941500
- Director : Kathryn Bigelow
- Formato multimedia : Importación, Color, Pantalla ancha, Pantalla completa
- Tiempo de ejecución : 2 horas y 31 minutos
- Actores : Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Mark Strong
- Subtitulado: : Inglés, Francés, Italiano
- Subtítulos: : Francés, Italiano
- Idioma : Italiano (Dolby Digital 5.1), Francés (Dolby Digital 5.1), Inglés (Dolby Digital 5.1)
- Estudio : Universal Pictures France
- ASIN : B00B7GYPPW
- País de origen : Francia
- Número de discos : 1
- Opiniones de los clientes:
Opiniones de clientes
4,7 de 5 estrellas
4,7 de 5
4.031 valoraciones globales
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Reseñas más importantes
Principales reseñas de España
Ha surgido un problema al filtrar las opiniones justo en este momento. Vuelva a intentarlo en otro momento.
Revisado en España 🇪🇸 el 22 de febrero de 2023
buena peñlicula
Revisado en España 🇪🇸 el 28 de febrero de 2023
Todo
Revisado en España 🇪🇸 el 3 de diciembre de 2022
PELICULON!!!!!!!
Revisado en España 🇪🇸 el 4 de septiembre de 2022
Un poco larga, pero bien
Revisado en España 🇪🇸 el 12 de enero de 2023
Esperaba un thriller político al estilo de "El rehén", pero tiene demasiado de las torturas de Guantánamo y llega a cansar.
Revisado en España 🇪🇸 el 8 de junio de 2013
La había visto en cine, y quería una copia para mi casa. La actuación de Jessica Chastain en el rol que podríamos resumir en "sólo soy aquello que persigo" es excelente. Es increíble que aparezca tan dulce en algunas fotos, y que en este papel pueda mostrarse tan increíblemente dura. El argumento es simple, pero tiene detalles militares y políticos que a los seguidores del género nos encantan (empezando por el significado del título en inglés). El ritmo tiene transiciones pero nunca decae. Prescinde de cualquier análisis moral, sólo revela y pone en pantalla lo que todos sabemos o nos imaginamos.
Revisado en España 🇪🇸 el 9 de junio de 2013
Gran edición española en blu-ray -con el ASIN: B00B7KARX2- de esta película de Kathryn Bigelow.
El máster empleado es muy bueno: no se aprecian defectos.
El sonido también es destacable: la pista en castellano es de calidad (DTS 5.1) pero inferior a la excepcional versión original (inglés DTS-HD MA 5.1) donde voces, música y efectos sonoros se dejan escuchar con total claridad y armonía.
Se incluyen numerosos subtítulos opcionales para poder visualizar la película.
He comprobado los que están en castellano y son adecuados y correctos aunque se saltan alguna frase o la dejan incompleta.
Como extras tenemos: "Toda una proeza", "El recinto", "El entrenamiento" y "Jessica Chastain en el punto de mira".
El máster empleado es muy bueno: no se aprecian defectos.
El sonido también es destacable: la pista en castellano es de calidad (DTS 5.1) pero inferior a la excepcional versión original (inglés DTS-HD MA 5.1) donde voces, música y efectos sonoros se dejan escuchar con total claridad y armonía.
Se incluyen numerosos subtítulos opcionales para poder visualizar la película.
He comprobado los que están en castellano y son adecuados y correctos aunque se saltan alguna frase o la dejan incompleta.
Como extras tenemos: "Toda una proeza", "El recinto", "El entrenamiento" y "Jessica Chastain en el punto de mira".
Revisado en España 🇪🇸 el 28 de abril de 2016
Es una película basada en un hecho real. Indudablemente no podemos saber si todo lo que aparece allí, es verdad o el director le agrego algo de suspenso por su cuenta. De todos modos, detalla muy bien todo el esfuerzo que la chica de la CIA hizo, contra viento y marea, para lograr encontrar a OBL. Si realmente fue a él a quien encontraron o no, eso ya se lo dejo a la reflexión de cada uno. Vale la pena ver esta película, en Ingles, con subtitulos al Español.
Reseñas más importantes de otros países

rob stirling
5,0 de 5 estrellas
Powerful, Uncompromising, Controversial.
Revisado en el Reino Unido 🇬🇧 el 7 de octubre de 2020
The Plot. The search for Al-Qaeda leader Osama bin Laden seen from the point of view and experiences of Maya (Jessica Chastain), a CIA intelligence analyst who became fanatical in her job of tracking down bin Laden ---- shades of Carrie in 'Homeland' methinks, a series that I found riveting and this film is 2 hours 31 minutes of military and intelligence procedural that needs full attention to keep abreast of the chase, but isn't quite as compelling as the tv series in my view.
Bin Laden could have hid in a cave (most people thought he WAS hiding in a cave in the Afghan mountains) as there was such a world wide manhunt for him after 9 / 11 and a huge bounty on his head. But you can't conduct operations without technology so he lived hidden in plain sight in a house with electricity and internet connections. His only flaw was personal contact and in his case a courier that could pass hand written or verbal messages.
So find that contact and you will find your target which is what intelligence sources do every day all over the world with lesser terrorists, put simply. I'm reminded of the great classic 'Day of the Jackal' from the 1960's which was far more compelling but in essence was a forensic manhunt.
The controversy in the film is the torture used on contacts of bin Laden until the direct link was found, almost ten years after 9 / 11. Graphically shown, director Kathryn Bigelow is never averse to including acute violence in her films and there are some uncomfortable scenes of torture, and later in the film in a brief firefight.
Commanding performance from Jessica Chastain who is at the centre of almost every scene. Not always pretty to look at but so effective in the context of a dedicated officer singular in purpose. Small but effective roles for Brits Mark Strong and Stephen Dillane, and James Gandolfini breezes in and out of a couple of scenes playing a 'real' person Leon Panetta, CIA Director.
The only fault that I found in the production was the final 30 minutes or so of the attack by Special Forces : for realism it was very dark (hence the title of the film 30 minutes after the dark midnight hour). Tried my disc on another player and those scenes were still uncomfortably dark for the most part except when the night vision cameras were used intermittently. But that's Ms Bigalow who is known for using specialist cameras in her films. I guess that perhaps some resolution was lost when transferred to DVD format ?
English language and subtitles. Based on actual events (as if we'd know), absorbing production but far from pretty quite rightly.
Bin Laden could have hid in a cave (most people thought he WAS hiding in a cave in the Afghan mountains) as there was such a world wide manhunt for him after 9 / 11 and a huge bounty on his head. But you can't conduct operations without technology so he lived hidden in plain sight in a house with electricity and internet connections. His only flaw was personal contact and in his case a courier that could pass hand written or verbal messages.
So find that contact and you will find your target which is what intelligence sources do every day all over the world with lesser terrorists, put simply. I'm reminded of the great classic 'Day of the Jackal' from the 1960's which was far more compelling but in essence was a forensic manhunt.
The controversy in the film is the torture used on contacts of bin Laden until the direct link was found, almost ten years after 9 / 11. Graphically shown, director Kathryn Bigelow is never averse to including acute violence in her films and there are some uncomfortable scenes of torture, and later in the film in a brief firefight.
Commanding performance from Jessica Chastain who is at the centre of almost every scene. Not always pretty to look at but so effective in the context of a dedicated officer singular in purpose. Small but effective roles for Brits Mark Strong and Stephen Dillane, and James Gandolfini breezes in and out of a couple of scenes playing a 'real' person Leon Panetta, CIA Director.
The only fault that I found in the production was the final 30 minutes or so of the attack by Special Forces : for realism it was very dark (hence the title of the film 30 minutes after the dark midnight hour). Tried my disc on another player and those scenes were still uncomfortably dark for the most part except when the night vision cameras were used intermittently. But that's Ms Bigalow who is known for using specialist cameras in her films. I guess that perhaps some resolution was lost when transferred to DVD format ?
English language and subtitles. Based on actual events (as if we'd know), absorbing production but far from pretty quite rightly.

The Movie Diorama
5,0 de 5 estrellas
Zero Dark Thirty chronicles the decade-long hunt for bin Laden with profound neutrality.
Revisado en el Reino Unido 🇬🇧 el 25 de mayo de 2020
Zero Dark Thirty chronicles the decade-long hunt for bin Laden with profound neutrality. Darkness. A blank screen echoes the desperate screams and howls of innocent civilians telephoning their loved ones before the World Trade Centre crumbled over them. 2,977 fatalities. Over 25,000 injuries. “9/11”, at the hands of Islamic fundamentalist group al-Qaeda, became the “deadliest terrorist attack in human history”. The Bush administration swiftly launching the “War on Terror” to depose the Taliban, after the proposed extradition of leader Osama bin Laden floundered. Future terrorist attacks were imminent, with the CIA employing controversial systematic torture programs known as “enhanced interrogation techniques” to extract information from detainees in undisclosed black sites. Maya, a fictional CIA analyst tasked in locating bin Laden, soon becomes obsessed with potential lead Abu Ahmed that rapidly sends her down a monomaniacal path of danger, with growing pressure to save thousands of lives in the process.
Bigelow’s thrilling decade-long depiction of events, in what is claimed as the “greatest manhunt in history”, can only be described as uncompromising scintillating cinema at its most raw. The extremist behaviour of Islamic Group members have been widely reported, detailed and sensationalised by the media for countless years. “7/7” bombings in London. The Camp Chapman attack. The 2008 Mumbai attacks. All co-ordinated actions that drew widespread condemnation. However, dramatising these profound events to stir further hatred for extremist behaviour and imply celebratory national patriotism, are not functionalities for Boal’s succinct screenplay. Both Bigelow and Boal, whom collaborated on ‘The Hurt Locker’, utilise modern history to insight political critique upon the questionable actions of the Bush administration and malevolence of al-Qaeda.
A proliferate narrative neutrality that produced an unyielding barrier of risk, querying the legitimacy of bin Laden’s assassination and the gruelling process leading up to that pivotal raid. In the process, supplying sensitive philosophers and cowardly politicians with enough controversial ammunition to fire allegations from every direction. Supposed partisanship with the Obama administration, improper access to classified documents and pro-torture portrayal (more on that later...). These assertions are just that. Allegations. Because Zero Dark Thirty is a stark reminder of how ambivalent America’s contribution to this war was, and that undoubtedly irked “experts” and officials.
Putting aside the historical politics for one moment, the essence of Bigelow’s intellectual assertion comes in the form of Maya. A lone female operative shrouded in the masculinity of warfare. Her tenacity and tough-minded persona undeniably receives the most acute character development arcs ever written, acting as an independent pressured employee expending her entire career in chasing bin Laden and a conduit for the narrative’s neutrality. Her initial reserved attitude towards approved “enhanced interrogation” allows viewers to question the permissibility of such authoritative techniques. Then she becomes obsessed, gradually succumbing to the ferocity of her work. Weeks, months, years. A decade passes. The pressure breaking her meticulous persona down, utilising any and all methods in finding bin Laden. Yet Maya combats the systematic ideologies of the CIA consistently to grant her fictionalisation a required neutrality that issues humanity. Chastain’s exceptional performance is littered with nuanced emotive details that gingerly bestow a provocative rage. Commanding, intimidating and menial. Chastain fluctuates her power from quaint whispers to enraged shouts, yet never lets her guard down. Until the final scene. A scene that profoundly reflected the morality and ethicality of all the preceding events that happened over the decade-long manhunt. The first and only moment where Maya exerts emotional fragility. A cluster of overwhelming feelings. Relief. Disappointment. Melancholy. Maya is the representation of the entire Iraq war from an emotional standpoint, and her culminating frame of film is perfect.
Bigelow, alongside Fraser’s clinically bleak cinematography, explores the dark side of war. Bolstered by a commendable supporting cast whom exude professional urgency to the matter at hand. From the desolate anticipation of the Camp Chapman attack, to the night-vision filtered compound raid of Operation Neptune Spear. Zero Dark Thirty never dissipates its tension and technical astuteness, despite the chapter segregation that does regrettably disjoint the elongated runtime.
Now, the torture interrogations. Waterboarding in particular. Famously generating a mass amount of controversy for its propagandistic nature and pro-torture stance. Makes you wonder why it conjured so much attention in the first place. To add on Bigelow’s response, it is a part of history. It shouldn’t have been, but it was. Consequently these government approved techniques should not be ignored regardless if it lead to bin Laden’s location or not, and it absolutely does question the morality behind such actions. Maya’s inclusion complying with that thought-process entirely. It categorically does not normalise torture, nor does its involvement endorse such issues. It simply provides exposure, arguably creating a statement against torture by implying the antagonistic behaviours of CIA agents.
There’s a reason why Zero Dark Thirty was marred with controversy. There’s a reason why Zero Dark Thirty pursues a neutral narrative. It raises a fundamental question. “Was the death of bin Laden worth the price we paid?”. By showing the unspeakable, unflinching and the uncompromising, Bigelow audaciously challenges on an intellectual scale by using modern warfare as her weapon of choice. Producing a near-perfect film in the process.
Bigelow’s thrilling decade-long depiction of events, in what is claimed as the “greatest manhunt in history”, can only be described as uncompromising scintillating cinema at its most raw. The extremist behaviour of Islamic Group members have been widely reported, detailed and sensationalised by the media for countless years. “7/7” bombings in London. The Camp Chapman attack. The 2008 Mumbai attacks. All co-ordinated actions that drew widespread condemnation. However, dramatising these profound events to stir further hatred for extremist behaviour and imply celebratory national patriotism, are not functionalities for Boal’s succinct screenplay. Both Bigelow and Boal, whom collaborated on ‘The Hurt Locker’, utilise modern history to insight political critique upon the questionable actions of the Bush administration and malevolence of al-Qaeda.
A proliferate narrative neutrality that produced an unyielding barrier of risk, querying the legitimacy of bin Laden’s assassination and the gruelling process leading up to that pivotal raid. In the process, supplying sensitive philosophers and cowardly politicians with enough controversial ammunition to fire allegations from every direction. Supposed partisanship with the Obama administration, improper access to classified documents and pro-torture portrayal (more on that later...). These assertions are just that. Allegations. Because Zero Dark Thirty is a stark reminder of how ambivalent America’s contribution to this war was, and that undoubtedly irked “experts” and officials.
Putting aside the historical politics for one moment, the essence of Bigelow’s intellectual assertion comes in the form of Maya. A lone female operative shrouded in the masculinity of warfare. Her tenacity and tough-minded persona undeniably receives the most acute character development arcs ever written, acting as an independent pressured employee expending her entire career in chasing bin Laden and a conduit for the narrative’s neutrality. Her initial reserved attitude towards approved “enhanced interrogation” allows viewers to question the permissibility of such authoritative techniques. Then she becomes obsessed, gradually succumbing to the ferocity of her work. Weeks, months, years. A decade passes. The pressure breaking her meticulous persona down, utilising any and all methods in finding bin Laden. Yet Maya combats the systematic ideologies of the CIA consistently to grant her fictionalisation a required neutrality that issues humanity. Chastain’s exceptional performance is littered with nuanced emotive details that gingerly bestow a provocative rage. Commanding, intimidating and menial. Chastain fluctuates her power from quaint whispers to enraged shouts, yet never lets her guard down. Until the final scene. A scene that profoundly reflected the morality and ethicality of all the preceding events that happened over the decade-long manhunt. The first and only moment where Maya exerts emotional fragility. A cluster of overwhelming feelings. Relief. Disappointment. Melancholy. Maya is the representation of the entire Iraq war from an emotional standpoint, and her culminating frame of film is perfect.
Bigelow, alongside Fraser’s clinically bleak cinematography, explores the dark side of war. Bolstered by a commendable supporting cast whom exude professional urgency to the matter at hand. From the desolate anticipation of the Camp Chapman attack, to the night-vision filtered compound raid of Operation Neptune Spear. Zero Dark Thirty never dissipates its tension and technical astuteness, despite the chapter segregation that does regrettably disjoint the elongated runtime.
Now, the torture interrogations. Waterboarding in particular. Famously generating a mass amount of controversy for its propagandistic nature and pro-torture stance. Makes you wonder why it conjured so much attention in the first place. To add on Bigelow’s response, it is a part of history. It shouldn’t have been, but it was. Consequently these government approved techniques should not be ignored regardless if it lead to bin Laden’s location or not, and it absolutely does question the morality behind such actions. Maya’s inclusion complying with that thought-process entirely. It categorically does not normalise torture, nor does its involvement endorse such issues. It simply provides exposure, arguably creating a statement against torture by implying the antagonistic behaviours of CIA agents.
There’s a reason why Zero Dark Thirty was marred with controversy. There’s a reason why Zero Dark Thirty pursues a neutral narrative. It raises a fundamental question. “Was the death of bin Laden worth the price we paid?”. By showing the unspeakable, unflinching and the uncompromising, Bigelow audaciously challenges on an intellectual scale by using modern warfare as her weapon of choice. Producing a near-perfect film in the process.

rbmusicman/and/movie-fan'
4,0 de 5 estrellas
'A CONVINCING RE-ENACTMENT',
Revisado en el Reino Unido 🇬🇧 el 13 de junio de 2013
'A CONVINCING RE-ENACTMENT',
The film follows a re-enactment of true events leading up to the ultimate finding of
and subsequent killing of, the much sought after 'Al-Qaeda' leader
'Osama Bin Laden'
A desperate search that had taken ten long years.
The film brought to our screen by the writer and director of the much
acclaimed movie 'The Hurt Locker' (Kathryn Bigeloiw) which is in my
my opinion another film worth owning.
This film is often intense and frankly brutal when gathering the
information which eventually leads to the assault on 'Bin-Laden's'
Compound.
A well executed and fact based drama, an engrossing and interesting
viewing experience.......which includes scenes of graphic-violence
including 'Torture' 'Terrorist Attacks' and aftermath, along with the
violent assault on 'Bin-Laden's' compound.
A Well portrayed Drama.
The film follows a re-enactment of true events leading up to the ultimate finding of
and subsequent killing of, the much sought after 'Al-Qaeda' leader
'Osama Bin Laden'
A desperate search that had taken ten long years.
The film brought to our screen by the writer and director of the much
acclaimed movie 'The Hurt Locker' (Kathryn Bigeloiw) which is in my
my opinion another film worth owning.
This film is often intense and frankly brutal when gathering the
information which eventually leads to the assault on 'Bin-Laden's'
Compound.
A well executed and fact based drama, an engrossing and interesting
viewing experience.......which includes scenes of graphic-violence
including 'Torture' 'Terrorist Attacks' and aftermath, along with the
violent assault on 'Bin-Laden's' compound.
A Well portrayed Drama.

Charles Vasey
5,0 de 5 estrellas
The Stilly Watches Of The Night
Revisado en el Reino Unido 🇬🇧 el 9 de noviembre de 2013
Many war films feature strongly on the action sequences becoming close to first person shooters. In this case Zero Dark Thirty (rather like the film The Battle of Algiers where you see the French paras developed much of modern COIN and a nasty line in torture) takes the viewer into how these operations start; interrogation, deduction, debate, eavesdropping; more organograms than grenade launchers. This may lose a few viewers but it gives a better idea of the real thing, including the counter-counter-insurgency operations of the other team. Only after a lot of film-time do we proceed to the infra-red footage and the clip-clip of silenced weapons. I really enjoyed the ensemble. Now to read up on the real op.

Mikey
5,0 de 5 estrellas
Gritty thriller
Revisado en el Reino Unido 🇬🇧 el 12 de enero de 2023
Includes scenes of torture and is the well told story of the CIA's efforts to track down Osama Bin Laden. Great movie ,gritty, thought provoking and action with a great cast.